Happy New Year, enjoy

Shakespeare #tenedle 2022 A collection of composition and orchestrations for film & media

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The last “crazy” creation for this year. Enjoy this short experimental film I’ve been working to during this year of Study and lockdown. I used music, sound art, sound design, foley art to tell the story. Voice over is just a suggestion but I love it as well… A touch of “creepy” and a bit of irony, as always… Have a nice end of the year, and take care.

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Annuntio vobis gaudium magnum Habemus Diplomatis 👨‍🎓 #tenedle #composer #sounddesigner #postproduction #film #media AV Sound Education 🙏 #madeofmusic 🎬

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It gets near and near. Next Wednesday, July 7th will be the day. “To the point” the short film, pre-film by Rossano B. Maniscalchi will be premiered at the Collodi Foundation Italy on the occasion of the 140th of the creation of “Pinocchio”, the worldwide’s famous wooden puppet on which this film took inspiration. The Italian Director and photographer shaped an original story around the character and shot his pre-film in the places where Pinocchio was created. We are proud to show the first trailer and the very first images of “To the point” with background music by Tenedle.

After this special event “To the point” will travel to San Diego USA to be premiered worldwide at La Jolla International fashion film festival, next July 23-24th. Tenedle worked as Sound Designer on the pre-film, besides the brilliant soundtrack of the Norwegian composer Gaute Storaas.

Directed by Rossano B. Maniscalchi
Music by Gaute Storaas
Sound Design Tenedle
Script Fulvio Carbone
Scenography Carlo Anzillotti
Art Directoion Serena Del Nero

More coming soon
https://www.rossanobmaniscalchi.com

Immersed in art at 360 degrees, driven by a perpetual sentiment of experimentation and research, Tenedle (Dimitri Niccolai, Florentine by birth and Dutch by adoption) is not accustomed to conventional productions. He has always moved deftly between painting, music, dance, cinema and his works draw fully on these intrinsic and visceral passions, ending up being kaleidoscopes of profound suggestion. From the initial experience with Laughing Silence to the author’s wave of albums such as “Vulcano” and “Grancassa”, from theatrical adaptations for the Dutch company Teatherhuis010 to the productions of the Bender and P.A.S.E. up to the electro-expressionist plots of the last “Traumsender” (2018), the artist has constantly embellished his background by widening the creative horizons from time to time and giving life on the scene, with multimedia performances with a great scenic impact, to real artistic paintings.
Supported by the faithful label Sussurround, Tenedle inaugurates the new decade by dedicating itself to the composition of the soundtrack for “The Dormitory”, a film which he also authored of the writing of the screenplay. In other words, nothing strange if it were not that the film in question did not actually exist and that the unpublished project was only and exclusively the result of the speculation of the bizarre Tuscan researcher. “Glossophobia”, released on February 20, 2020 on digital platforms, is in fact a visionary concept composed of thirteen entirely instrumental sequences suspended between soundscapes, obsessive synthetic rhythms and ambient moods in which the materialization of the frames of the story is entrusted to the imagination’s ability. usufructuary on duty. An emotional trip, a hypnotic hallucination of great effect in which it is possible to insinuate itself only through attentive listening, perhaps using a nice pair of stereo headphones. Wanderer, Hypnotic, The Dormitory and Altered Consciousness represent some of the most persuasive passages of this convincing imaginific-musical projection; once again Tenedle confirms all his ability in designing sound holes from which to scrutinize the illusions that lie beyond the foreseeable reality and amicably opens the doors of his surreal dormitory. We have the choice of entering or staying on the door.

By Alessandro Freschi

Read it HERE on the Webzine